Tag Archive | Black

Mélange Bracelet

Well, the time sure flew by since the last time I wrote an article, and a lot has happened since then, too.

These past two months found me helping out as a buyer for our online bead shop, creating custom items (like bookmarks, ornaments, jewelry, and accessories), revamping my cookbook library, and cleaning and organizing my studio. I’m sure I had some relaxation time in there somewhere!

The other day, as I was going through boxes of beads and art supplies, I rediscovered bags of gemstones and glass chips. I really wasn’t sure what I wanted to do with them or what I had in mind when I acquired them, but Fate helped. As I was combining bags of the same item into boxes, a few accidently fell together and Voila! – a new custom combination was born.

With my last goldstone box clasp, I created a simply sophisticated three-strand bracelet with a little AccuFlex and the mélange of obsidian, peridot, tourmaline, yellow turquoise, goldstone, and marble stones. The final product surprised me. It’s pretty!

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img_20161120_173334If you would like to create your own Melange Bracelet, I am offering kits in my shop and the beads only, if preferred. To learn more, please click this LINK FOR KIT and the LINK FOR THE GEMSTONE BEADS ONLY. The goldstone box clasp is not available, so I included a three strand tube clasp in this kit in its place.

I like happy surprises. Happy Beading!

©Susan Marie Molloy, Designs by Susan Marie Molloy, Miss Poppy’s Boutique, and all works within

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Moonglow in the Palm of Your Hand

chakra-2aA couple weeks ago, as I was researching for some new projects, I stumbled upon the prettiest cabochons I ever saw:  LunaSoft.

These cabochons have such a beautifully soft and glowing presence about them, they mesmerized me.  When they arrived in my bead shop, one or more of each available color, it was “ooooo” and “ahhhh” non-stop.   It’s one thing to see them in a photograph, and quite another to see them live.

The colors are rich.  The glow is soft.  The backs are metal coated.  The faces feel like they are lightly coated with rubber, or something like it.  The biggest question I had was, “How are they to work with?”

“Wow!” is my answer.

I choose to design a peyote bezel for a pendant using Japanese seed beads and SuperDuo beads, worked around a copper-hued LunaSoft cabochon.  Working the bezel around the cabochon proved to be remarkably pleasant.  I would even go so far to say that the coating seemed to hold the bezel well while stitching.   The way the cabochon seemed to change its glow was amusing.  Depending on how the light hit it, it looked solid, it seemed to glow, or it flashed a rich coppery hue with depth.  I have several more tutorials in the works using LunaSoft cabochons.

Other LunaSoft colors range from reds, to blues, to greens, to oranges, to white and black, and more. At the moment, we have several colors of the round 23mm ones in our bead shop.  I plan to order more in different sizes and shapes to stock in October.  In the meantime, see what’s available now:  CLICK HERE to see more.

If you like something a little different and something fun to work with, I recommend the LunaSoft cabochons, hands down.

If you’d like to learn more about my tutorial, CLICK HERE.

Add some moon glow to your repertoire!

©Susan Marie Molloy, Miss Poppy’s Boutique, and all works within.

The Designing Process

il_570xn-1050051277_g9yxThings are still hopping in our bead shop, and while we’re busy with that, I thought I’d share another of my original designs with you.

When I’m not teaching art, or working on my books (yes, I’m a published author, too), or travelling, or being involved with the day-to-day routine of life, I find inspiration to create from the world that surrounds me. Last year, I designed an easy beaded Christmas ornament cover that proves to be a huge hit with my customers time and again.

Just like with anything else, designing a project is easy, and it’s not. The Beading Muse was kind to me with my Noelle Christmas Ornament Cover project. One evening, I was organizing my Czech glass beads and came across some pretty pink ones I forgot I had. I paired them with some green ones, and liking the combination, it was natural for me to accent them with some silver lined seed beads and a few larger black beads. They looked good on the beading mat and would look even better as an ornament cover.

The color combination may seem unlikely Christmas colors, but my thinking is that if you like it, it works. For example, I’ve seen Christmas trees decorated with all purple – ornaments and lights – and though that’s not my preference, it works for others. Anything goes.

So, I settled into my studio, dug out a clear, round ornament, a needle, scissors, and Fireline ® and got to work. After a few tries and a few restarts, I was on a roll to creating this ornament cover. The picture of how it should look was in my mind; I didn’t even sketch it out first, as I usually do, for each method is different in creating something.

This particular project turned out well, in spite of all the backtracking and a few restarts. The trickiest part was actually taking clear photographs of the steps, then adding diagrams to each to show what needs to be done to create a pretty finished piece. Lighting was key to producing clear images, of course.

As I mentioned earlier, this became my most popular ornament cover tutorial to date. It takes little time to make and can be made in your color combination. Several of my students and customers shared pictures of their finished ones, which I will share here at a later date. Their color combinations are creative and pretty!

If you’d like to learn more about my tutorial, CLICK HERE.

Happy Beading!

©Susan Marie Molloy, Miss Poppy’s Boutique, and all works within.

Peeking into Queen Twosret’s Jewel Box

QueenTwosretWrapBraceletTutorialI admit it: I am a fanatic for anything ancient Egyptian, and have been as far back as I can remember.

This week, I obtained some of the new 6mm pyramid beads. They are half the size of the similarly-shaped studs, and much more versatile for my type of creations. This summer I’ve been designing many new projects, and wrap bracelets are just one type.

I took the pyramid beads and combined them with other specialty beads in roughly the same sized category, added seed beads, and I came up with an easy to make wrap bracelet. I enjoy making my own beaded clasps, too, which is what I did for this project.

I used beads in traditional ancient Egyptian colors, and the piece feels like the Pharaohs had an extraordinary influence on this! The blue is like the prized lapis lazuli they used in their jewelry; the precious gold they prized for its flash; the reds of ochre and jasper; the black of the Nile’s rich silt; and the stripes on their headdresses when I created the clasp.

I named this piece “Queen Twosret’s Wrap” after the ancient Egyptian pharaoh Seti II’s wife. Two colors of seed beads are used to give a striped appearance between the larger beads. It adds a little something special, don’t you think?

The tutorial is available now in my shop, Miss Poppy’s Boutique (click HERE to purchase).

Beads are from Poppy and Gene’s Beadery (click HERE for fabulous, high quality beads at affordable prices) .

©Designs by Susan Marie Molloy, Miss Poppy’s Boutique, and all works within.

Kon Tiki Earrings

In 1947, Norwegian explorer and writer Thor Heyerdahl organized an expedition via raft to sail across the Pacific Ocean to Polynesia. He posited the idea that pre-Columbian South American peoples could have settled in the Polynesia islands. The raft was named for the Inca sun god “Viracochoa”, and “Kon-Tiki” was an old name for the god.

My friend, Deborah Wear-Finkle, designed a pair of beaded earrings that evoke olden days of the Incas and Polynesia, and she rightly named them “Kon Tiki.” They do have a South Sea isle look about them. I imagine a time long ago, and a Polynesian tribal princess wearing them for a casual cookout with the gang on a beach:

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These are easy earrings to construct. I made my version with silver and grey seed beads, pink crescent beads, black O-beads, black dime beads (in the picture, they’re the smaller beads towards the bottom), and large beads topside (I used black wood beads from Africa on mine).

You can get the tutorial for Deborah’s “Kon Tiki Earrings” at her Esty shop, Shosin Arts. Click on this link: Kon Tiki Earrings.

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©Susan Marie Molloy, Designs by Susan Marie Molloy, Miss Poppy’s Boutique, and all works within.

Checkerboard

Black and White Check2The past weekend found me finishing some beading projects I started last fall. Between a beading cruise we went on in October, to getting custom Christmas ornament covers made, I put some projects aside and . . . well, forgot about them until this weekend.

As I was straightening up and cleaning my studio, I found the half-finished projects sitting patiently in a plastic box. The checkerboard-style cuff bracelet was my first to finish.

As you can see, when finishing off the ends, I prefer using wire/thread guards before attaching the clasp. They help to strengthen the clasp to the piece and prevent the Fireline® thread from fraying. For this bracelet, I used a tube/sliding clasp in silver plate. All beads used in this piece are high quality Czech glass.

Nice, isn’t it?

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This pattern is from Virginia Jensen’s book, “Stitching with Two-Hole Shaped Beads,” published by Kalmbah Books (2015). The name of the bracelet is “Herringbone Cuff with Squares and Rullas.”  (Found on Amazon.)

I’m keeping this one for myself. The checkerboard look is nice for summer, as well as year-round.

As always, custom orders are always welcomed!

©Susan Marie Molloy, Designs by Susan Marie Molloy, Miss Poppy’s Boutique, and all works within.
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Size Matters

I’ve been busy this summer designing, creating, and writing.  I’m looking forward to publishing my next book (look for the announcement HERE).

In the beading world, I surprised myself with new beads and the ideas they present.  Specifically, I am working on a new pattern for a necklace, whose idea came to me while working on earrings.

In the picture below, you see two beads made with the same stitches, albeit with different square beads.  On the left is a bead made with Japanese Tila beads and 15o and 11o seed beads.  On the right is the same pattern, but with square Czech beads and the same size 15o and 11o seed beads.  Notice the considerable size difference.

Tila versus Square Czech Beads. See the difference?

Tila versus Square Czech Beads. See the difference?

Working with Tila beads produced a dainty beaded bead, but I found them to be a little “slippery” while beading.  Additionally, they didn’t seem to hold the cube shape as well as the one made with the Czech squares.

With a little more work and tweaking, I was able to produce a nice, compact beaded bead.   Two black and aqua blue earrings was my final product.  To see them, click HERE.

I’m working on another beaded bead project, and when it’s done, I’ll be share it with you.

Delightful Beading Wishes,

Susan

 

©SusanMarieMolloy

Designer and Owner

Miss Poppy’s Boutique

www.etsy.com/shop/MissPoppysBoutique